This show was taped a month ago, in conversation with Yardbirds/Renaissance/Illusion founding member Jim McCarty, in an effort to widen the lens exploring the world of 60s British rock that The Beatles operated in.
Author Susan Shumsky first appeared on SATB in 2019, upon the publication of her memoir, The Maharishi and Me, which detailed her twenty years living at his ashram (including six years working directly for his organization). We discussed her knowledge of The Beatles’ Rishikesh sabbatical then, but with her new book, The Inner Light, she goes deep with an exploration of how their interactions with Indian culture and the TM movement impacted their lives and their art. In the course of over 500 pages, she gives chapter and verse on the manifestations of these interactions, sometimes hiding in plain sight, that appeared in their music. This podcast is sponsored by BetterHelp. Visit http://www.betterhelp.com/satb for 10% off of your first month of treatment.
Musicologist Walter Everett joins professional musicians Cameron Greider and Jack Petruzzelli in a return visit to discuss the latest Beatles reissue set. Revolver is analyzed through the prism of its poetry as well as its musical maturity and what the new set reveals in terms of The Beatles’ major artistic advance. Check out the upcoming Revolver class here: http://www.rpm-school.com This podcast is sponsored by BetterHelp. Visit http://www.betterhelp.com/satb for 10% off of your first month of treatment.
Between 1963 and 1969, The Beatles issued ephemeral holiday greetings to members of their fan club on flexidiscs.
Returning SATB guest favorite Ray Connolly (journalist, Beatles insider, screenwriter) penned what remains the finest Lennon bio in print, Being John Lennon: A Restless Life. On this, Ray’s 82nd birthday, we celebrate John’s life and Ray’s as well as we discuss a wide array of topics with someone who knew John well: a journalist friend and confidant. In this far-reaching conversation, we touch on topics including the Get Back film – drug use – Michael X and James Hanratty – the abominable behavior of Phil Spector’s entourage – skiffle – Mimi and Yoko – the “Working Class Hero” project – the Lennon-McCartney creative partnership – Ray’s interactions with the Lennons during the last hours of John’s life – and more. Ray’s works can be found on his website here. Ray’s miraculous COVID story here.
An entire book dedicated to a single song may strike some as bewildering, but not if the song in question is both The Beatles’ longest single (in length) as well as one of their most successful (quadruple platinum): 1968’s “Hey Jude.” Deceptively simple and universally appealing, the Apple Records debut marked an astonishing launch to their label while serving as an anthem of healing during a tumultuous year – in the world as well as within the band. Author James Campion (Take A Sad Song: The Emotional Currency of Hey Jude) discussed the song with returning guest Jeff Martin and I for nearly two hours. You too will discover what James did – that uncovering the magic and pull of this recording is something that will take you farther than you can imagine. Check out James’ writings here: https://www.jamescampion.com/ This podcast is sponsored by BetterHelp. Go to www.betterhelp.com/satb for 10% off your first month.
In which the worlds of three returning guests collide to discuss 1) is there (or should there be) a common starting point for all critiques of art and 2) the world of rock criticism generally – what’s the purpose and where does it go wrong?
Are you Get Back-ed out yet? No? Good, because there are still plenty of avenues to explore within the scope of January 1969. Featured today is something from the vaults: the conversation reuniting three witnesses to the events on Savile Row on 30 January, 1969: Apple press office deputy Chris O’Dell, Beatles equipment manager Kevin Harrington, and EMI tape operator Alan Parsons; yes, the eventual producer and recording artist himself. This was taped live at the Fab4ConJam event in February 2021 and therefore before Peter Jackson’s film had been screened. Therefore, their recollections come purer: what they remembered and how they remembered it, unaffected by any more recent info coming their way. They all experienced the day from different perspectives, but over 5 decades on cannot help but be moved by what the were a part of, all these years later. Co-hosting is Beatles author and podcaster Anthony Robustelli. This podcast is sponsored by BetterHelp. Go to betterhelp.com/satb for 10% off your first month of treatment.
Returning guest Robert Rosen (Nowhere Man) penned an essay last year discussing a phenomenon called “catch-and-kill,”
Luther Russell and I roll into the next hour of discussion and analysis of the intent behind Double Fantasy; about Yoko’s standing in the rock world, and how The Beatles might better have dealt with her entry into their world. The album is ripe for a fresh listen, and no matter how you may rank it in the canon, is certainly worthy of an extended discussion as a release so heavy with meaning. Enrollment open now for Why The Beatles? – an online 3-session course beginning in October: https://ce.harpercollege.edu/search/publicCourseSearchDetails.do?method=load&courseId=9470614&selectedProgramAreaId=27039&selectedProgramStreamId=508576 This podcast is sponsored by BetterHelp. Go to betterhelp.com/satb for 10% off of your first month of treatment.
Given the unique circumstance of Double Fantasy – John Lennon’s first work in five years and his slaying within a few short weeks of its release
In which Gary Wenstrup and I continue the discussion of Revolver, followed by a thorough analysis of the group’s OTHER 1966 UK release, A Collection of Beatles Oldies (But Goldies!). This podcast is sponsored by Betterhelp. Go to betterhelp.com/SATB for 10% off your first month of treatment.
Taking a detour from some of the heavier SATB topics of late for end-of-summer light entertainment, Gary Wenstrup and I return to the series of gold, silver and bronze rankings of Beatle cuts through their catalog. We’re at the halfway point now as The Beatles turned the page from a touring to a studio band, but not before a final blast of nostalgia by years’ end.
Returning guest Terry Zobeck (234: Paul McCartney Lyrics ) spent his career studying drug addiction and its effects.
In the time since publishing his memoir, The Redhead on the Roof and first appearing on SATB (160), Beatles equipment manager Kevin Harrington has now become known to millions of fans by his ubiquitous presence captured on film and presented in the eight hours of Peter Jackson’s Get Back. It therefore was time to bring him back to get his reaction to the film and drill down deeper on his experiences working with The Beatles. This episode of Something About The Beatles is sponsored by BetterHelp. Go to betterhelp.com/satb for 10% off your first month.
As part of the Fab4ConJam online fan event, I convened these two Beatles insiders to take questions and reminisce.
He’s known to millions, in the words of Arthur C. Clarke, as “The most famous unknown actor in the world.
One of the things that’s kept Beatles fans captivated was their refusal to stay still and how each album felt like a progression into new territory.
In the latest effort in a line of works presenting his side of his own history (which include Many Years From Now, Wingspan, the McCartney 3 2 1 docuseries as well as Anthology), Paul McCartney published The Lyrics: 1956 to the Present in 2021. It was in collaboration with Irish poet Paul Muldoon, an as-told-to project where he got deep into his recollections about a selection of his works, pre, during and post-Beatles. But the book is deeper than that: his observations detailing his entire life from boyhood in Liverpool onward were sparked by the 25 hours of conversations he and Muldoon had. My guest is Terry Zobeck: a first-generation Beatles fan and collector who reviewed the book for Doug Sulpy’s 910 newsletter. The most recent issues also feature the first two parts of his three-part critique of The Beatles Get Back docuseries. All of Doug’s writings, including the indispensable Drugs, Divorce and a Slipping Image (revised edition) can be found at www.dougsulpy.com
After shows post-Get Back with guests representing American musicians, multi-generation female fans, and the film’s maker (Peter Jackson),
Long on the list of my coveted guests has been singer-songwriter Sam Brown. The daughter of Joe Brown – an early UK rock legend – and Vicki Brown – an astonishingly gifted singer herself – Sam’s career as an artist kicked off in 1988 with Stop!, the first of seven albums. (The first letter of the titles spell out her name – the 8th installment, titled Number 8 is due out this year.) Sam is also known for singing with Pink Floyd and David Gilmour, as well as on television and on tour with Jools Holland. It was with Jools that Sam took center stage at the 2002 Concert for George, stealing the show with her reading of George’s last recorded composition, “Horse To The Water.” She has remained active as a performer and a recording artist, despite tragically losing her ability to sing in 2007, following surgery. The mysterious condition forced a re-think of her career and led to her establishing a decade-long running group of clubs empowering folks to take up ukulele. In this conversation, we discuss her career and the struggles of being an artist – her friendship with the Harrisons and working with George – the concert – and how she’s managed the challenging events that followed. Sam is a resourceful and resilient artist whose rich catalog is worth exploring. You can check out her work here: https://open.spotify.com/playlist/37i9dQZF1DZ06evO1Tns40 Vicki Brown’s farewell to fans: https://youtu.be/b0SCoEu_9oM Joe Brown sharing a 1964 stage with The Beatles: https://youtu.be/GjNB-2Bq6ag Sam at Concert for George: https://tinyurl.com/34un27f6 “Stop!” live: https://youtu.be/WROOE-0IfjE “Valentine Moon” – fixed: https://tinyurl.com/548b7ssb Terri Hemmert’s Breakfast with The Beatles on Sunday at 8am CDT: https://www.audacy.com/wxrt/beatles
The conclusion of the discussion Gary Wenstrup and I had in rating individual tracks on the albums named here, as well as the 1966 Capitol release, “Yesterday”…and Today. I think, is so overlooked, both message-wise and musical construction-wise. It’s one of those songs, first of all, musically, based on piano. Not a lot of guitar, except those little stabbing, which was a 1965 sound in other people’s records that year. Nice block harmonies. Then John breaking out his own for the verses, starting this implicitly spiritual song, the first words out of his mouth of the verse in the beginning. Nice touch. That’s beautiful. It’s this precursor to certainly, All You Need is Love and Give Peace A Chance. It’s him. It’s messianic John for the first time, really wanting to use his platform to promote something good. They’d said that they’re all potheads at this point. I mean, they’d taken acid a couple of times at this point, but not the full immersion by the time of Revolver. That has to be what’s informing his wanting to evangelize on behalf of love at this point. It’s interesting that they didn’t use this one for Yellow Submarine, because that whole love thing at the end in pepper land, in the face of the mayonnaise, it seems like it would be enmeshed right in there. I guess, they had All You Need Is Love. That was what they went with. I think, it’s a great message, a great performance, nice arrangement. I love that organ. Then there’s that whole musical, we’re going to build a song around one note and it’s got that drone throughout it, so you’ve got that musical experimentation going on at the same time. Not a song that got a lot of airplay. I don’t know if anybody ever covered it. One, they never seemed to look back at it, but it’s an early clue to the new direction. It’s just this forerunner of lots of things that would come and they just pull it off. They don’t sound like you’re being preached to. It works as a pop ditty, but also, it’s like, wow, it’s got a really good message to it, that’s bigger than boy-girl relationships.
In which Gary Wenstrup and I return where we left off in offering our picks in ranking Bronze, Silver and Gold tracks off of The Beatles’ 1965 releases, as well as a little beyond. This show represents the first hour of our conversation
Given Beatles author and historian Erin Weber’s recently announced sabbatical from Beatling these days, I wanted to share with SATB listeners the Q&A we held last year for Fab4ConJam, where she fielded questions on the Beatles’ literary canon. Authors covered included: Lewisohn (of course) Michael Braun Peter McCabe Barry Miles Mark Hertsgaard And much more…Also revealed: her favorite Beatles music – favorite Beatle – and why she detests “Jet.” Erin’s website: https://beatlebioreview.wordpress.com/ Erin’s podcast: https://anchor.fm/karen-hooper/episodes/All-Together-Now-A-different-approach-to-Beatle-Podcasting-e14v3rc