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In which returning guest Gary Wenstrup and I continue our ranking conversation of faves, discussing A Hard Day’s Night and Beatles For Sale. Along the way, we analyze their vocals and blendings, as well as what personal experiences may inform the writing.
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In which we pull away from the Get Back film for a while and converse about something completely different. Returning guest Gary Wenstrup and I conduct a conversation going through the first four Beatles albums, selecting our picks for Gold, Silver and Bronze status. Along the way we examine our criteria for what constitutes “favorite” songs, and how such values are fluid and ever evolving.
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In the third and final hour, Dan Rivkin (They May be Parted blog) and I explore more of the Get Back project with its director.
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Dan Rivkin (They May Be Parted blog) and I continue our conversation with director Peter Jackson about the innovation used to create the film – some technique used to advance the story – and a number of other observations gleaned from viewing so many hours of footage, both in and outside of the final cut. The history of the Get Back project is at last coming into focus, challenging a number of previously held assumptions.
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My co-host for this one is Dan Rivkin (They May Be Parted), who of course is one of the leading scholars on this material, presented on his blog. Normally, Dr. Duncan Driver would be part of the discussion too, but he had beg off with such short notice. (We’ll have him back next time…)
Meanwhile, we hope that this – presented in three parts (in the grand tradition of Peter Jackson) – will suffice.
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In June and again in July, the director of the upcoming The Beatles: Get Back series gave interviews – in Vanity Fair and in GQ – holding forth on what to expect from his re-tooling of the Beatles Let It Be project. Though there was a certain amount of rehashing what had already been said, there were also things that provided much to discuss and analyze as we approach the countdown to broadcast.
I therefore reconvened Dr Duncan Driver and Dan Rivkin (They May Be Parted blog) for a discussion on the latest and how what Peter Jackson had to say – and didn’t say – suggests where the project is going and what to expect.
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In late summer 2020, my guest Kyle Driscoll penned a wonderful analysis of the three 1970 releases by three artists whose paths had intertwined and who, as it happened, all found themselves at similar crossroads at the time. You can read it here (which I strongly urge you do) and then listen to the deeper discussion we had on these artists and their impact on each other’s work.
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You may recall my returning guest from his first appearance in late 2020: Mike Pachelli is an accomplished jazz guitarist and recording/performing artist, as well as a major Beatles fan. His series of popular Youtube videos deconstruct Beatle songs and show each guitar and vocal component. He’s back now with a new release: 16 Beatles songs performed instrumentally, Beatles on Guitar.
In this conversation, he details his insights into the challenges of selecting and presenting their music and doing it justice without vocals.