Podcasting

He’s back, and with a terrific topic: each of us choosing 7 moments in the history of The Beatles that we would’ve liked to have been around to witness as a fly on the wall. The criteria being, occasions where the history is unclear, or simply moments that would’ve been amazing to witness. This ended up as an interesting Rorschach exercise, mapping out our respective concentrated areas of interest as well. You’ll hear ours but we want to hear yours: leave ’em for consideration on Twitter, Facebook or on the site. We’ll take ’em up for a future show.

You know him as the photographer responsible for one Beatles album cover (two in the US); their last group photo shoot, and as the official photographer on the “Get Back” / Let It Be project (his photos filled the book packaged with the original issue). But Ethan Russell also produced iconic images for the Rolling Stones and The Who, as well as album covers and short films for an array of artists, plus wrote several books (including Dear Mr. Fantasy). His latest is in the works as part of a Kickstarter campaign – check out EthanRussell.com for details. In this first conversation, we present an overview of his life and career. More detailed Beatle-centric recollections will come in the second installment.

This is the second part of a discussion begun with Doug Sulpy (co-author of Drugs, Divorce and a Slipping Image/Get Back), this time with blogger Dan Rivkin. His blog, They May Be Parted, is a detailed examination of the Nagra tapes of the “Get Back”/Let It Be project. Dan adds detail, analysis and context to the recordings, and we dive deep into what all there is to be gleaned from the extant record (and speculate on what to expect from Peter Jackson). Part one of January 1969 here. Dan’s blog: https://theymaybeparted.com/ Twitter: https://twitter.com/TheyMayBeParted Facebook: https://www.facebook.com/theymaybeparted/

You know him as the human music stand kneeling before John Lennon for “Dig A Pony” during the rooftop session of January 1969. But Kevin Harrington was much more than that: coming into The Beatles’ orbit beginning in January 1966 as an office boy at NEMS; an employee of the Saville Theatre the following year, and lastly, a roadie/gofer at Apple from 1968 on, setting up their musical gear for recording sessions (and hanging out otherwise). Kevin’s stories are entertaining and insightful: The Beatles as seen up-close from day-to-day through the eyes of a teenager. “What a Beatle wants, a Beatle gets!” Some links for Who’s The Redhead on the Roof? US: https://www.amazon.com/Whos-Redhead-Roof-life-Beatles-ebook/dp/B00XRCZDD2 UK: https://www.amazon.co.uk/Whos-Redhead-Roof-life-Beatles-ebook/dp/B00XRCZDD2 plus https://www.smashwords.com/profile/view/KevinHarrington and https://www.kobo.com/us/en/ebook/who-s-the-redhead-on-the-roof

Back in 2000, Chip Madinger and Mark Easter produced an exhaustive study of every extant recording of the solo Beatles, up to that very year: studio sessions, live concerts and broadcasts. Eight Arms To Hold You was a one-of-a-kind detailed examination of what the four ex-Beatles did musically, when and with whom. The book went out of print, but the good news is, it’s back (in PDF form) and updated with another 20,000 words, further detailing the ground covered (though it still ends at 2000). I talked with Mark and Chip about the lay of the land, unreleased recording-wise; what else is out there and what we can make of what we have been given. Eight Arms To Hold You: The Solo Beatles Compendium (2018 edition) can be found here. Lennonology: A Scrapbook of Madness, by Chip and Scott Raile, can be found here.

Two words: Peter Jackson Remember the “Winter of Discontent”? My guest today is Doug Sulpy, co-author (with Ray Schweighardt) of Drugs, Divorce and a Slipping Image (AKA Get Back: The Unauthorized Chronicle of the Beatles’ “Let It Be” Disaster.) With the announcement of the long-desired fresh look at the Let It Be project being in the works, we discuss what can be learned from a close study of the Nagra reels, and where the common perceptions have missed the mark. This episode is an overview: we take a deeper dive in January 1969 part two. The revised version of Drugs, Divorce and a Slipping Image can be found at dougsulpy.com Check out Doug’s 910 newsletter here  

  It’s the return of Jerry Hammack – creator of the Beatles Recording Reference Manual series. Volume 3, covering the end of 1966 (“Strawberry Fields Forever”) through the whole of Sgt. Pepper (plus Magical Mystery Tour) has just been published. Producer Ben Rowling and I discuss the high level of studio innovation that typified the post-touring era, and though we didn’t get to Magical Mystery Tour in this conversation (part two to come), we did discuss elements of their work habits through the White Album, Let It Be and Abbey Road. (Plus, Jerry tips his hand as to what’s next…) Check out Jerry’s work here Twitter Facebook

In a slight departure from the SATB norm, I present an account of the career of a Beatles peer: session guitarist Vic Flick, whose work appeared in 1960s music charts alongside The Beatles. Every Fab fan will know his soundtrack work on their first two United Artist films, but in addition to this, he contributed to a McCartney solo project, worked with George Martin (and Beatle acolytes Peter and Gordon), as well as scores of other “British Invasion” acts. And yes – it was he who played the iconic 007 James Bond theme guitar riff. Check out his memoir, Guitarman, on Amazon or direct from Vic (http://vicflick.com/). Special thanks to Bob Rush!

First off, listeners: kindly indulge the first 15 minutes, which represents an audio document of 1968 (January through end of August). It’s one thing to know what happened that year, but it’s quite another to hear the immediacy of actual sound, both news and music. 1968 was a convulsive stream of history and it is with that context in mind that we can come to a better understanding of the world The Beatles operated in. Second: this conversation was an attempt to discuss how the Beatles and their audience interacted at a critical moment: between the triumph of Sgt. Pepper and the year of breakdown. Candy Leonard, author and sociologist, is ideally suited to illuminate this dynamic. Her book, Beatleness, explores “how The Beatles and their fans remade the world.” As always in such discussions, a certain amount of meandering occurs, and therefore a lot more than 1968 is fair game in this conversation. Check out more of Candy’s writings here: http://beatleness.com/beatleness-blog/

The long-awaited conversation with producer Chris Thomas, recorded at the White Album Symposium in Monmouth University. Audio deficiencies with the sound due to the electrical system; deficiencies in my voice due to an ill-timed tribute to George’s Dark Horse Tour. Thanks to Ben Rowling Joe Rapolla, Dr. Kenneth Womack and everyone at Monmouth University.

In general, you can tell how well a conversation went by how long the show runs. At just past the two hour mark, you get an idea of how well things went with Lon Van Eaton, one-time Apple recording artist and protege of George Harrison. In addition to being one half of the Van Eaton brothers, who issued an album and single in the US in 1972, he did session work for Ringo beginning with the 1973 self-titled release (and performed live with him on TV), as well as other 1970s acts produced by Richard Perry. He went on to good works with his charitable organization, Imagine A Better World, inspired by examples gleaned from The Beatles. While this may be the most spiritual discussion yet had on SATB, it is also perhaps one of the most lighthearted. One can easily see how Lon connected with George and Ringo particularly: being equal parts deep-thinker/philosopher and everyman comedian. Lon witnessed life with the ex-Beatles (and acolytes like Klaus Voormann, Pete Ham and Harry Nilsson) up close. He has the stories and the insight – you don’t want to miss this one. Lon’s new album is called Cupid. Find it at Imagineabetterworld.com

As a sonic landscape to accompany your holiday season demands: driving places – online shopping – gift-wrapping, and so forth, SATB presents an end-of-year look at the highlights of this years’ shows. We had some terrific guests this year, ranging from notables like Randy Bachman and the Mona Lisa Twins to SATB favorites like Erin Weber and Jeff Martin. Tons of great discussions and explorations – more to come in the New Year. Special thanks to: Ben Rowling – Vinnie Zummo – Jeff Martin – Erin Weber – Jack Petruzzelli – Ivor Davis – Axel Korinth – Jon Savage – Bill Wyman – Michael Salfino – Andy Martino – Candy Leonard – Ken Mansfield – Carol Tyler – Tom Murray – Jerry Hammack – Michael Hill – Bob Heironimus – Laura Cortner – Randy Bachman – Michaela Wagner – Anthony Robustelli – Kenneth Womack

In the 2nd of a quartet of shows recorded (in part) at the White Album Symposium at Monmouth University (as well as the 2nd in a trio of shows covering Apple in its 50th year), I speak with my friend, Ken Mansfield: former manager of US operations of Apple, as well as author of several books, including two published this year: a novel, Philco and a memoir, The Roof: The Beatles’ Final Concert. Ken is a natural storyteller as well as a confidant of the Beatles, whose accomplishments include work with artists ranging from the Beach Boys to Waylon Jennings. We cover it all here. NOTE: as pointed out in the show’s intro, field recordings are susceptible to issues beyond our control, in this case a fluctuation in the current every time the heat came on in the room we were in. That’s why you hear crackling/static noise throughout the first half hour. Like Live At Leeds, do not attempt to correct – Ben Rowling and I have already tried.

In the first of what will be a series of shows originating from the White Album symposium held at Monmouth University in West Long Branch, New Jersey, I am presenting my opening remarks, followed by a brief Q&A. For those who couldn’t attend, it gives you a good flavor of how these events go down. Asked to present on the Kinfauns recordings, newly remastered and issued as part of the 50th anniversary White Album package, I opted to offer my take on what the recording of these songs meant to The Beatles, as a way of getting back to where they once belonged. Special thanks to Ben Rowling for capturing this field recording and to Dr. Kenneth Womack for making the event possible.

You may know his name from his years on tour and in the studio with Joe Jackson; possibly from his series of solo projects (Swinging Guitar Sounds of Young America Vol 1-3, plus The Coyote and two Christmas collections – find them here). But this multi-instrumentalist has been a lifelong Beatle fan, and as he says here, the group served as proxy tutors, as he learned ALL the instrumental parts of their records as they were released. This show began as an examination of George’s evolution as a guitarist, as seen by a professional musician, but it became much more than that, with observations on band dynamics, Ringo’s drumming, John’s guitar, personal interactions (Vinnie’s sister worked at ABKCO) and much more! Vinnie’s musical tributes to each Beatle can be found here: John Paul George Ringo Vinnie’s works on Spotify

If all you know about this sister act out of Austria is an array of Beatles covers on Youtube, then you don’t know the Mona Lisa Twins. They are the present-day embodiment of the ripples of waves begun when the Beatles entered popular consciousness over half a century ago; a manifestation of what Geoff Baker called “a good way of looking at the world.” Lots of great artists emerged from the sixties and afterward, inspired by a force that The Beatles embodied and then set into motion. This puts the Mona Lisa Twins in good company. Listen and discover. Home site: https://monalisa-twins.com/ Youtube channel: https://www.youtube.com/user/MonaLisaTwins   Thanks to Rick Wey and Trevor Beaumont  

There is no real perfection, a much-loved artist once sang. But in Beatle world, where excellence is the common consensus, the act of assessing how well they executed their art as distinguished by individual releases is – at the very least – ripe for a thoughtful discussion. Returning to the show is TV writer Jeff Martin (4th time around!), and new to SATB is sports reporter Andy Martino. It was his stray observation on the Shea Anything podcast that prompted this conversation.

Ever wonder what the lives of those screaming legions of fans were like? Wonder no more: today, I speak with award-winning cartoonist, Carol Tyler, whose memoir of her Beatles adoration, Fab 4 Mania: A Beatles Obsession and the Concert of a Lifetime, has just been published. The book builds on the diary that she kept as 13-year old, vividly chronicling her devotion with the art and journals she kept from back in the day. Her journey articulates the fan experience of someone who grew up with The Beatles, while also serving as a love letter to the city of her birth (and mine): Chicago, and how local top 40 radio (WLS, WCFL, WVON) impacted young lives while shaping tastes. Carol’s richly illustrated book transports readers back in time, capturing the immediacy of anticipating and witnessing a Beatles concert during those all-too-brief touring years. It features an Introduction written by Beatles biographer Hunter Davies.

At last: SATB takes on a long-desired topic, comparing and contrasting two of the biggest acts out of the UK during the 1960s. Quantifying art is a fool’s errand, yet here we are because we can’t help ourselves.

As an end-of summer two-fer, SATB presents a double bill: two different ways of “seeing” the Beatles. First, on the 50 years since the Mad Day Out, my guest is photographer Tom Murray; author of the newly-published book, The Beatles: Tom Murray’s Mad Day Out –  a colorful revisit to a summer’s day when all was Fab in the world. Second, meet John Pring and Rob Thomas: graphic artists and authors of Visualizing The Beatles. Their book presents the Beatles’ story visually, laying out all manner of data in the form of colorful graphics, enabling the reader to grasp a lot of information quickly. Tom Murray’s site Visualizing The Beatles site

In this extra-length edition, I speak with Dr. Bob Hieronimus and Laura Cortner. The two have worked together for decades researching the Yellow Submarine film; interviewing every available participant in its creation.

Television writer Jeff Martin makes his third appearance on the show, this time focusing the conversation on one of his vocations – playing keyboards in a band – and how The Beatles (Paul mainly) utilized an array of instruments in the studio: piano – electric piano – organ – harmonium – Mellotron – synthesizer, and so forth; and how their use evolved from doubling instrumental parts to adding color to forming the basis of some of their finest compositions.

In which we welcome back to the show historian Erin Torkelson Weber. In this episode, we pick up where we left off; this time discussing older canon works like Ian MacDonald’s Revolution in the Head and Peter Doggett’s You Never Give Me Your Money; (also Peter McCabe’s outdated Apple To The Core and the problematic memoir of Geoff Emerick) as well as new essential works like Riding So High by Joe Gooden. We also talk about how the Beatles’ historic narrative was shaped, countered and re-evaluated as Mark Lewisohn’s works represented a true revolution in Beatles scholarship. Erin’s previous appearance: http://somethingaboutthebeatles.com/116-beatles-historians/ Her blog: https://beatlebioreview.wordpress.com/   Erin in action:

It isn’t often that we are given a firsthand account from somebody who set in motion events that literally changed the world. But there we are and here it is: Michael Hill was a classmate and friend of John Lennon’s, beginning at age 5. A keen observer and articulate narrator, he has set his recollections down for all of us in his book, John Lennon: The Boy Who Became A Legend. As Michael himself points out, lots of boys went to school with John Lennon but only one – this one – stirred something inside the directionless 15 year-old and set him on the path to rock – and conquer the world in the process. Check out Michael’s story – and his book – here: http://www.johnlennonlegend.com/