In which returning guest Gary Wenstrup and I continue our ranking conversation of faves, discussing A Hard Day’s Night and Beatles For Sale. Along the way, we analyze their vocals and blendings, as well as what personal experiences may inform the writing.
In which we pull away from the Get Back film for a while and converse about something completely different
In the third and final hour, Dan Rivkin (They May be Parted blog) and I explore more of the Get Back project with its director. Among the subjects discussed: ~ Coordination between the Get Back book, the Let It Be album reissue and this film (hint: none) ~ Directives from the Beatle heirs and Apple (hint: none) ~ Michael Lindsay-Hogg’s original draft of Let It Be ~ The missing Nagra audio ~ An extended cut? And MUCH more… Be sure to check out parts one and two, as well as the write up in Forbes.
Dan Rivkin (They May Be Parted blog) and I continue our conversation with director Peter Jackson about the innovation used to create the film – some technique used to advance the story – and a number of other observations gleaned from viewing so many hours of footage, both in and outside of the final cut. The history of the Get Back project is at last coming into focus, challenging a number of previously held assumptions. #thebeatlesgetback, #getback, #beatlesdocumentary, #peterjackson, #somethingaboutthebeatles, #beatlespodcast, #theymaybeparted, #danrivkin, #robertrodriguez, #robertrodriguezbeatles
Well, it’s finally here. Worth the wait? Oh, we think so! But before we get into discussions on SATB about what we thought about it, we thought it would be worthwhile to discuss the making of it – the intent behind it; the goals; the challenges; the nuts-and-bolts – with someone who worked on it. To that end, a listener in New Zealand offered himself up as a guest who could offer an insight or two. My co-host for this one is Dan Rivkin (They May Be Parted), who of course is one of the leading scholars on this material, presented on his blog. Normally, Dr. Duncan Driver would be part of the discussion too, but he had beg off with such short notice. (We’ll have him back next time…) Meanwhile, we hope that this – presented in three parts (in the grand tradition of Peter Jackson) – will suffice.
We have all made compilations of Beatles solo material, but within this large group, a smaller group has imagined taking some of this material and arranging it as The Beatles might have, had they recorded this material and issued it as “Beatles,” the collective.
In 1969, Bill Rotari was Regional Managing Director with Capitol Records in Quebec when he received word that John and Yoko were coming.
In June and again in July, the director of the upcoming The Beatles: Get Back series gave interviews – in Vanity Fair and in GQ – holding forth on what to expect from his re-tooling of the Beatles Let It Be project. Though there was a certain amount of rehashing what had already been said, there were also things that provided much to discuss and analyze as we approach the countdown to broadcast. I therefore reconvened Dr Duncan Driver and Dan Rivkin (They May Be Parted blog) for a discussion on the latest and how what Peter Jackson had to say – and didn’t say – suggests where the project is going and what to expect.
In late summer 2020, my guest Kyle Driscoll penned this wonderful analysis of the three 1970 releases by three artists whose
You may recall my returning guest from his first appearance in late 2020: Mike Pachelli is an accomplished jazz guitarist and recording/performing artist, as well as a major Beatles fan.
