Between 1970 and 1979, George issued six studio albums (plus one triple-live one), followed by a second draft of his 1980 album the following year. Rock scribe Eoghan Lyng and I re-examine these works with fresh ears – we hope you will too. Eoghan’s book: https://www.amazon.com/George-Harrison-70s-Eoghan-Lyng/dp/1789521742
The Beatles were the end result of an array of confluences, circumstances and influences. On the short list near the very top (if not THE top) was American rocker Buddy Holly. In his short career, he wielded his influence on the budding Liverpool rockers in an array of ways, which returning guest Luther Russell and I discuss here. Though his time on earth was brief, the impact he made casts a long shadow, as he provided an unwitting blueprint on what a successful rock artist looked like, sounded like and could aspire to.
Conversations about a familiar subject with guys who know what’s what are invaluable, because the depth of knowledge shared will always shed new light and get you to listen with fresh ears. My guests are the returning trio of pro musicians and musicologists: Cameron Greider (Sean Lennon), Jack Petruzzelli (Fab Faux) and Walter Everett (The Beatles as Musicians Vol 1 and 2). You’ve heard their insights on previous shows, and this time they counter some myths that have grown about The Beatles’ most acclaimed album, focusing on the guitars. Their Sgt. Pepper online class at RPM-School begins October 2 – you can see about registration and other details here.
The author of Nowhere Man (2000) returns for a conversation prompted by the book’s recent re-publication, augmented with an array of new material and appendices. Robert will also be making a rare personal appearance in St Louis on October 4th in St. Louis – details here. Among the subjects we talked about this time round were: Robert’s website and blog can be found here.
Returning guest and renowned producer John Leckie is back on SATB and this time he brought his friends; colleagues from EMI with impressive credentials of their own, who also worked with The Beatles: Nick Webb and Roger Ferris. It was a real delight to be a fly-on-the-wall as three guys who’ve known each other for decades spun stories about working at the most famous recording facility on earth, and the clients they supported. Among the topics that came up:
As a follow-on to my last conversation with author Glenn Greenberg, we sat down to explore the Harrison-Lennon dynamic. A couple of things referenced in the show can be found below: Here’s John’s 1974 note to George. Here’s John’s 1976 Q&A. Glenn Greenberg’s Making of the White Album bookazine can be found here. “I Know It’s True” (end song) by Iamaphoney can be found here.
Journalist Steve Matteo has a new book out – Act Naturally: The Beatles on Film. It’s an all-encompassing volume detailing and contextualizing the making of every one of their cinematic projects, including a few that didn’t actually get filmed. For this first discussion, we focused on their first two, both directed for United Artists by Richard Lester and produced by Walter Shenson.
My guest today has recently completed the first volume of an exhaustive study of Paul’s body of work in Paul McCartney: Music is Ideas 1970 – 1989. Luca Perasi is a Beatles historian who specializes in the group’s bassist, post-split. He was a consultant hired by MPL for the recent 7″ single box set, as well as the Italian translator for Paul’s The Lyrics book. For our first discussion, we focused on the broad parameters of Paul’s art, pre-Beatles through the first Wings album. Luca’s book discusses every McCartney session and the music it yielded, whether released at the time or not, for a greater context into Paul’s musical development. You can find out more at Luca’s site, and I encourage you to follow him on Twitter (@LucaPerasi ) for daily postings featuring amazing rare photos of Paul at work.
Hired as a tape op by EMI in February 1970, Leckie quickly found himself among rock royalty when his career began with work on Ringo’s Sentimental Journey, followed quickly after with McCartney.
Tony King was general manager of Apple US in the early 70s, but thereafter worked directly with John and Ringo, promoting their work from 1973 through 1975. Beyond that, he was a true British rock Zelig figure, partying with The Beatles the night before they flew to America for their 1964 Ed Sullivan Show debut; working with Andrew Oldham and the Stones during their “Satisfaction” heyday; thereafter for George Martin and AIR Studio, and then Apple. He also befriended Elton John (before he was) as well as tons of others. His story has just been published in “The Tastemaker: My Life with the Legends and Geniuses of Rock Music.” (He’s also in the May Pang doc, The Lost Weekend: A Love Story.) You can get his backstory here: https://www.gq-magazine.co.uk/music/article/tony-king-interview and see him as “the Queen” in this 1973 Mind Games TV ad: https://youtu.be/lx-DNpoKfVg We covered a ton of topics, including all the aforementioned plus the AIDS tragedy and his favorite music.
