[powerpress]
In this episode, Robert and Richard get insights into the Beatles’ artistry, including Ringo’s drumming, from The Fab Faux’s Frank Agnello, Rich Pagano and Jack Petruzelli.
Songs excerpts heard include “I Don’t Want To Face It,”Everybody’s Got Something To Hide” “I Am The Walrus” and “Happiness is a Warm Gun.”
Check out
Check THIS out for an explicit side by side of the riff Frank talks about, played by Paul and John: https://www.youtube.com/watch?v=UxIJPO-Jric
In this extended episode, Richard and Robert discuss the Beatles’ instruments. Andy Babiuk, bassist with The Empty Hearts (formerly of the Chesterfield Kings) and author of Beatles Gear and the newly-published Rolling Stones Gear, joins the panel to talk about how the Beatles acquired and used various guitars and effects to create magic.
Songs excerpts heard include “I Feel Fine,” “And I Love Her,” “She Said She Said,” “Paperback Writer,” “Back in the USSR” and “I Me Mine.”
[powerpress]
Get the newly published Ultimate Beatles Gear here.
[powerpress]
This special video podcast depicts show 09, Was Sgt. Pepper The Beatles’ Creative Peak?, in the studio and at The Fest For Beatles Fans in Rosemont. See for yourself why Richard and Robert have faces made for radio.
Special guest: Beatles Historian Mark Lewisohn, author of All Those Years: Tune In
Songs heard in this episode include: “Sgt. Pepper’s Lonely Hearts Club Band Reprise,” “A Day In The Life” (with the “humming” ending), “Hey Bulldog” and Humphrey Lyttelton’s “Bad Penny Blues.”
[powerpress]
In this extra-long episode, Richard and Robert discuss the material the Beatles crafted for others and didn’t record themselves. Also: an interview with singer and NEMS artist Billy J. Kramer, the recipient of quite a few Lennon-McCartney exclusives.
Songs heard in this episode include: “Bad To Me,” “It’s For You,” “Woman,” “Catcall,” “Sour Milk Sea,” “Come and Get It,” “Goodbye” and “From A Window.”
[powerpress]
Robert and Richard delve into a career-spanning array of Beatle isolated vocals, illustrating the distinct and unique sound they possessed up until the very end. Also: a chat with New York Times journalist Allan Kozinn, author of the newly published e-book, Got That Something: How The Beatles’ “I Want To Hold Your Hand” Changed Everything.