Podcasting

Back in September, I first talked Beatles with this Renaissance man, in the context of The Beatles with The Simpsons. As you listeners will remember, Dave had a lot to say about the Beatles well beyond the parameters of that TV show. Well he’s back, and the subject we set out to discuss was the Beatles’ use of acoustic instruments – something Dave is well-versed in. But as conversations will, we went far afield from that, covering subjects ranging from sincerity to darkness versus happiness to re-arranging songs on the fly to what the Beatles were doing alongside their contemporaries. And as the momentum mounted, I realized that there were more things discussed than any one show could reasonably contain. So enjoy 129A; 129B coming up (so to speak)! “I Am The Walrus” acoustic excerpt by Laurence Juber: https://www.amazon.com/LJ-Plays-Beatles-Vol-2/dp/B003U8O2OY Revolver mash-up by Douglas Grant: https://beta.prx.org/stories/11512

In 1978 – the year he joined Elvis Costello in The Attractions – bassist Bruce Thomas was personally selected by Paul McCartney to participate in the Rockestra – an all-star ensemble assembled for a pair of Back To The Egg tracks. The collective gathered onstage a year later as part of Wings’ finale at the Kampuchea benefit. But Bruce Thomas is more than an inventive bass player: he’s a veteran musician (with roots in Britain’s 60s Blues Boom) as well as an acclaimed author of fiction and non-fiction both. His newest project – a collaboration with Spencer Brown – includes a Beatles cover. Check out Back To The Start here: https://spencerbrownbrucethomas.bandcamp.com/releases Check out Bruce’s works here: https://www.brucethomas.co.uk/

John once observed that, in his opinion, Paul was “…an egomaniac about everything else about himself, but his bass playing” – which was as influential as it was innovative. It is therefore a delicious irony to report the same was true of John: while he touted his status as an artist (not to mention “genius”) at every opportunity, he could be surprisingly reserved / conflicted about his own technical abilities on his chief instrument. In this episode, I talk with musician/producer Ben Rowling, who breaks down John’s unsung contribution to The Beatles’ sound, as well as the impact he had on the rhythm guitarists that came after. With isolations and recreation, no one will ever again think of John’s instrumental Beatles work as “invisible.”

SATB began as a conversation between two Beatle friends who happened to be writers; this episode began as a conversation about being a Beatles fan in the 70s. But in both instances, some unexpected twists and turns along the way led to other destinations… I’d like you all to meet Andrew Vaughan – a good friend of mine, a music writer and hardcore Beatle fan. He’ll be helping out with the show, and in this episode, we try our best to stay on topic. Results may vary. Songs include recordings by The Damned, The Optimists and The Residents.

The unexpected loss of The Heartbreakers’ leader (and “Charlie T./Muddy Wilbury”) presents an opportunity to look back on the career of the accidental supergroup: the Traveling Wilburys, whose debut album issued almost thirty years ago represented an unimaginable musical collaboration among some of rocks’s giants. Presenting their back story is rock journalist Jeff Slate (http://jeffslatehq.com/index/), whose newly-published Roy Orbison: The Authorized  Biography traces the career of a singular artist who, truth be known, served as an unwitting catalyst in the group’s formation. His ties to The Beatles as an artist and a friend are likewise traced. Check out http://royorbison.com/ for more on the book. “Please Please Me” by “Roy Orbison” recorded by Jared Lekites: jaredlekites.bandcamp.comJared’s band, The Lunar Laugh: thelunarlaugh.bandcamp.com

  You may already know the author of Liddypool  and The Fab 104 for his meticulous research in already well-trod grounds. But with his latest work, David Bedford reveals new revelations – some of them shocking. In Finding The Fourth Beatle, David brings a fresh interpretation and critical new analysis to Beatles scholarship, going where the evidence leads him regarding the truth behind Pete Best’s parting ways with the group, as well as the process of recruitment that (eventually) led to Ringo. There is also new light shed on the 18 (!) Beatle drummers, the Decca audition, Brian’s unsigned managerial contract and those who might have been Beatles – but weren’t. David is also working on an accompanying documentary and a companion CD release. Find out more at  https://www.pledgemusic.com/projects/finding-the-fourth-beatle

In something of a departure from the usual, SATB presents a conversation with Arion Salazar, original bass player with Third Eye Blind (“Semi-Charmed Life” – “Losing A Whole Year” – “How’s It Going To Be” – “Never Let You Go”) and this year on tour with XEB. As you will hear, he is an accomplished recording artist whose life path was impacted virtually from birth by The Beatles (who, as it happened, had just split up while he was in utero). Arion offers up his insights as a fan and as a student of the Beatles on the group, on Paul (certainly as a bassist) as well as on Klaus Voormann.

In 1989, Paul McCartney hit the road again for the first time in a decade. That same year, the longest running sitcom in US TV history debuted, and like Sir Paul, The Simpsons is still in action today. In addition to the high-calibre talent involved from day one, the show has made frequent references to The Beatles, culminating with three episodes featuring guest appearances by the three ex-Beatles. In this special expanded edition, we hear from writer/producer Jeff Martin, who wrote “Homer’s Barbershop Quartet” (which featured George); and writer/director/show runner David Mirkin, who went to Sussex to record the McCartneys (for “Lisa the Vegetarian”) and experienced something every Beatle fan can only imagine… This is a NEW PHASE SATB episode…. Making his final appearance is our original co-host. Making a cameo in this episode is upcoming guest, Arion Salazar – original bassist with Third Eye Blind and on tour this year with XEB.

  Our guest’s 13 year-old face has left an indelible impression upon the memory of every Beatles fan who has ever watched their debut appearance on the Ed Sullivan Show. Deb Supnik (nee Gendler), dubbed “the first fan” by director Andrew Solt,  is much more than just an attendee of The Beatles’ first live TV performance in America: her life changed forever that evening. Over the next several years, she worked tirelessly on behalf of the group (and their US fans) while maintaining relationships with members of the group’s organization (and even the odd Beatle parent or two). Deb has shared her amazing stories in documentaries before, but here she gets to present them full-length and in exquisite detail. Find Richard’s books here. Find Robert’s books here.

49 years ago, The Beatles launched their Apple label with one of rock’s most successful single releases. Paul’s “Hey Jude,” backed with John’s “Revolution” – if not officially a double A-side release – surely ranks as among the finest 7″ records the group ever produced. It was also, as George observed years later, a real turning point in the band’s fortunes: a high point after which things could only go downhill. In this episode, Richard and  Robert discuss the context of this record, as well as the writing, the recording and the public presentation of Apple’s first issue: a record that spent two weeks atop the UK charts and nine at number one in the US. Find Robert’s books here. Find Richard’s books here.