Podcasting

There is no real perfection, a much-loved artist once sang. But in Beatle world, where excellence is the common consensus, the act of assessing how well they executed their art as distinguished by individual releases is – at the very least – ripe for a thoughtful discussion. Returning to the show is TV writer Jeff Martin (4th time around!), and new to SATB is sports reporter Andy Martino. It was his stray observation on the Shea Anything podcast that prompted this conversation.

Ever wonder what the lives of those screaming legions of fans were like? Wonder no more: today, I speak with award-winning cartoonist, Carol Tyler, whose memoir of her Beatles adoration, Fab 4 Mania: A Beatles Obsession and the Concert of a Lifetime, has just been published. The book builds on the diary that she kept as 13-year old, vividly chronicling her devotion with the art and journals she kept from back in the day. Her journey articulates the fan experience of someone who grew up with The Beatles, while also serving as a love letter to the city of her birth (and mine): Chicago, and how local top 40 radio (WLS, WCFL, WVON) impacted young lives while shaping tastes. Carol’s richly illustrated book transports readers back in time, capturing the immediacy of anticipating and witnessing a Beatles concert during those all-too-brief touring years. It features an Introduction written by Beatles biographer Hunter Davies.

In this extra-length edition, I speak with Dr. Bob Hieronimus and Laura Cortner. The two have worked together for decades researching the Yellow Submarine film; interviewing every available participant in its creation.

Television writer Jeff Martin makes his third appearance on the show, this time focusing the conversation on one of his vocations – playing keyboards in a band – and how The Beatles (Paul mainly) utilized an array of instruments in the studio: piano – electric piano – organ – harmonium – Mellotron – synthesizer, and so forth; and how their use evolved from doubling instrumental parts to adding color to forming the basis of some of their finest compositions.

In which we welcome back to the show historian Erin Torkelson Weber. In this episode, we pick up where we left off; this time discussing older canon works like Ian MacDonald’s Revolution in the Head and Peter Doggett’s You Never Give Me Your Money; (also Peter McCabe’s outdated Apple To The Core and the problematic memoir of Geoff Emerick) as well as new essential works like Riding So High by Joe Gooden. We also talk about how the Beatles’ historic narrative was shaped, countered and re-evaluated as Mark Lewisohn’s works represented a true revolution in Beatles scholarship. Erin’s previous appearance: http://somethingaboutthebeatles.com/116-beatles-historians/ Her blog: https://beatlebioreview.wordpress.com/   Erin in action:

It isn’t often that we are given a firsthand account from somebody who set in motion events that literally changed the world. But there we are and here it is: Michael Hill was a classmate and friend of John Lennon’s, beginning at age 5. A keen observer and articulate narrator, he has set his recollections down for all of us in his book, John Lennon: The Boy Who Became A Legend. As Michael himself points out, lots of boys went to school with John Lennon but only one – this one – stirred something inside the directionless 15 year-old and set him on the path to rock – and conquer the world in the process. Check out Michael’s story – and his book – here: http://www.johnlennonlegend.com/

It was 45 years ago that Beatle confidant and Apple Press Officer Derek Taylor published his first memoir, As Time Goes By.