Podcasts

An important part of understanding both rock history generally and The Beatles’ history specifically is contained in a study of the fan magazines produced throughout the 50s and 60s. For the purposes of this discussion, Dr. Allison Bumsted’s newly-published TeenSet, Teen Fan Magazines and Rock Journalism: Don’t Let The Name Fool You is THE roadmap to understanding the role these journals played in both promoting artists and instilling a sense of community among fans, pre-internet and social media. Allison focuses much of her research on TeenSet, a groundbreaking magazine created by Capitol Records that began as one thing and ended as something else under the guidance of visionary editor Judith Sims.  You can check out Allison’s research and new articles at www.allisonbumsted.com

Returning guests Cameron Greider and Jack Petruzzelli (both of the RPM-School.com) are on hand to discuss more of what The Beatles used in their songcraft: 6th and minor 3rds. If ths sounds like indecipherable music theory, hang on – it isn’t and once you become aware of it, you’ll recognize it everywhere – how often and how artfully they used it, and to what effect.  Also in the conversation: Neil Inness, and the topic of plagiarism.  Jack, Cameron and I will all be on hand in upstate New York come June as part of the 3rd annual Magical Mystery Camp, along with Walter Everett and featured guests that include Peter Asher, Joan Osbourne, Steve Forbert, The Fab Faux, Ken Womack, Scott Freiman, and last but not least, Jerry Hammack. A full on days-long music immersion in learning and participating.  Details: www.magicalmysterycamp.com/

YOU the loyal listeners decided what your fave moments of the show were, and based on your input, SATB runs down moments from the past 7+ years, featuring only a sampling of the many guests we’ve had on the show. These include (alphabetically): Nancy Lee Andrews Christine Feldman-Barrett Pattie Boyd Allison Bumsted James Campion Laura Cortner Dennis Diken Duncan Driver Elliot Easton Debbie Gendler Glenn Greenberg Cameron Greider Jerry Hammack Robert Hieronimous Terri Hemmert Peter Jackson John Leckie Candy Leonard Ramsey Lewis Ken Mansfield Jeff Martin Richard Mills Chris O’Dell Sibbie O’Sullivan May Pang Jack Petruzzelli Dan Rivkin Ethan Russell Luther Russell Arion Salazar Pat Sansone Sylvie Simmons Susan Shumsky Chris Thomas Carol Tyler Erin Weber Gary Wenstrup Thanks to every one of my guests and to each and every listener. None of this would be possible without you.

For most whose lives were changed by The Beatles, it can only remain a dream that they would one day meet one, much less work alongside one and develop a key role in that Beatle’s life and develop a friendship. But Buffalo, New York native Gary Astridge was one exceptional fellow, whose passion for percussion, inspired by the 1964 Ed Sullivan Show debut, would impact his life in ways far beyond imagining. He took up drums and was so curious about the details of Ringo’s set-up that he made it a lifelong study. Then came the day that Ringo needed him to solve a problem, leading to projects and experiences few could conceive… As Ringo’s drum curator and historian, he found himself in non-stop demand in ways no one could have predicted. All of this led to his authorship of a lavish book depicting not only the history of Ringo’s drums but also the numerous iconic outfits he wore during The Beatles’ career. The results of this research have been published in a new book, Beats and Threads, available through Julien’s Auctions. Gary comes to the show sharing the stories of his journey and his one-of-a-kind experiences wit Ringo, at a time when the drummer is experiencing a career renaissance with his new country album, Look Up. Gary’s site: http://www.ringosbeatlekits.com  Julien’s Auctions: https://www.juliensauctions.com/en

In this “Goldilocks Zone” of Beatles scholarship, where we are far enough from their heyday to achieve some critical distance but close enough to access people who knew them (plus the two survivors), a golden age has arrived where heretofore unexplored aspects shining light and understanding on their story is being explored. One of the most insightful historians is Richard Mills, whose book, The Beatles and Fandom: Sex, Death and Progressive Nostalgia has arrived, revealing how the fandom evolved and what it meant in the greater context of explaining The Beatles’ enduring appeal. Every angle from the sexuality expressed by 1st gen fans in the pages of Beatles Monthly to fan conventions and tribute bands, to the ascension into myth that comes with death is discussed. If that sounds heavy and academic, our conversation was not: think of it as a visit with a favorite professor and you’ll get the idea. 

Returning guest May Pang has had a busy couple of years, both with the presentation of her story in the acclaimed documentary, The Lost Weekend: A Love Story, as well as her ongoing touring photographic exhibit of photos she took fifty years ago. In this conversation, we discuss a number of topics outside the doc, including Allan Klein, Dick Cavett, the Imagine film (1972), Badfinger, and the productive period where she was at John’s side, facilitating work that included three US chart-topping singles and collaborations with Mick Jagger, Phil Spector, Harry Nilsson, Ringo, David Bowie, Elton John (and almost…Paul).  

2024 winds down with the merging of two guests that have appeared on the show this year, in a spirited discussion of David Whelan’s investigation into John Lennon’s murder as presented in Mind Games. Robert Rosen (Nowhere Man) serves as skeptic in a conversation weaving together the bigger picture that converged on December 8, 1980, as well as the sketchy players surrounding the convicted killer both before and after. Joining the conversation is attorney Carole Krohn, presenting her own legal insights into the case.  If all of this is a bit heavy for you in general or at this time of year, by all means check out episode 298…..

Many of you have by now seen the new doc, re-presenting the February 1964 footage of The Beatles’ two-week jaunt in NYC, Washington and Miami, shot by Albert and David Maysles. As you know, producer Martin Scorsese has a history of music documentaries (including Living on the Material World) but this one is directed by his associate, David Tedeschi and produced by Margaret Bodde, who have worked together many times on on many music films. I got a chance to talk with them about the making of this one and the intent behind it.  

The Olympiad series picks up again, with music scholar Gary Wenstrup on board, picking up where we left off at episode 276, the Filmtrack Olympiad. Be sure to add your name to the [email protected] Newsletter list to enter the giveaway of the vinyl Beatles ’64 Mono Capitol albums. About “(Wild) Honey Pie”

Viewed at one level, Paul’s 1980’s career was bookended by the album triumphs of Tug of War and Flowers In The Dirt. But that would be to overlook the January 1980 Tokyo drug bust, the dissolution of Wings, John’s murder, and then a period that may best be described as uneven: duets (of varying quality), the diminishing returns of Pipes of Peace, the lambasting that Give My Regards To Broad Street earned him, the “Frog Chorus,” Press To Play, the abandoned Phil Ramone sessions, and the public discord over the Rock and Roll Hall of Fame Beatles induction. Plus litigation aplenty.   It was a time that saw his reputation eclipsed by his martyred bandmate and hit records harder to come by, all before he found his feet with a new collaborator (Elvis Costello) that seemed to rejuvenate him, setting the table for a return to world touring. All of this is discussed in my latest conversation with author Glenn Greenberg, where we examine the good and the bad during challenging times.